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A Guide to Creating and Publishing Chrity Anthologies by Amanda Nicholson (96)
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In Conversation with Literary Agent Paula Munier (96)
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In Media Res by Cindy Skaggs (96)
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Making Something Sexy is Hard Work by Evette Davis (96)
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On Submission with Lorette C. Luzajic, Founding Editor of The Ekphrastic Review and The Mackinaw (96)
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How to Write for Chicken Soup for the Soul by Allison Lynn Flemming (96)
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On Submission with Five Minutes Editor-in-Chief Susanna Baird (96)
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How to Become a Digital Marketing Writer byt Jane Fazackarley (96)
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How to Stick the Landing On Your Short Story's Ending (96)
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In Conversation with Tom Bromley, Head of Learning at Reedsy (96)
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Reaching Readers on the Book Club Circuit (96)
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In Conversation with Celeste Davidson, CEO of Bardsy (96)
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Introduction to Writing True Crime by Renee Roberson (96)
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In Conversation with Dr. Megan Pillow, Award-Winning Writer and Teacher (96)
How to Become a Health Writer (96)
How to Become a Health Writer (96)
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On Submission with Vinspire Publishing: Founding Editor Dawn Carrington (96)
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How to Become a Sensitivity Reader (96)
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Giving Your Book a Second Chance: Relaunching With Marketing that Makes a Difference (96)
Making the Leap From Printed Page to Big Screen (96)
Making the Leap From Printed Page to Big Screen (96)
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On Submission with Gold Man Review Founding Editor Heather Cuthbertson (96)
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How to Become a Commerce Writer (96)
Why Narrative Poetry is Ink the Genre You Should Explore Next (96)
Why Narrative Poetry is Ink the Genre You Should Explore Next (96)
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On Submission with Purple Ink Press Founding Editor Yael Valencia Aldana (96)
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How Dreams and Visions Can Guide Your Writing: Interview with Anna Quinn, Author of Angeline (96)
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In Conversation with Nicole Breit, Award-Winning Author and Instructor (96)
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On Submission with Ink Sweat and Tears Publisher Kate Birch (96)
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Help Your Manuscript Take Off with Primary Sources (96)
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Use the Funnel: How to Target Your Audience When Marketing Your Book (96)
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Choose Your Own Book Marketing Adventure in 2024 (96)
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On Submission with Indie Bites Editors Josie Jeffrey and Adie Hart (95)
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Empowering YA Anxiety with, Giant Man-Eating Butterflies: Interview with Jennifer D. Lyle, Author of Swarm (95)
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On Submission with ELJ, Prose and CNF Editor Diane Gottlieb (95)
Spoonbridge Press: Helping Authors Navigate the World of Self-Publishing (95)
Spoonbridge Press: Helping Authors Navigate the World of Self-Publishing (95)
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On Submission with Sport Stories Press, Editor-in-Chief Dr. Anne Greenawalt (95)
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Tag-Team Editors: How We Helped Each Other Write Our Books (95)
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Best Practices for Reading Submission Guidelines (95)
On Submission with Fictive Dream, Founding Editor Laura Black (95)
On Submission with Fictive Dream, Founding Editor Laura Black (95)
Meet Candi Sary, Author of Magdelena: Persistence, Magic, and the Character That Disrupted Her Plans (95)
Meet Candi Sary, Author of Magdelena: Persistence, Magic, and the Character That Disrupted Her Plans (95)
Embrace the Blank Page: 5 Techniques of Daily Writing When You Don't Know What to Write (95)
Embrace the Blank Page: 5 Techniques of Daily Writing When You Don't Know What to Write (95)
The Three Things I Wish I Knew Before I Wrote My First Book (95)
The Three Things I Wish I Knew Before I Wrote My First Book (95)
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Ten Tips to Refresh Your Writing Life (95)
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In Conversation with Sarah Freligh, Award-Winning Author and Instructor (95)
Finding Time to Write Your Novel (95)
Finding Time to Write Your Novel (95)
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On Submission with eMerge Magazine Managing Editor Joy Clark (95)
As I See It: How to Pick the Best POV for Your Fiction (95)
As I See It: How to Pick the Best POV for Your Fiction (95)
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On Submission With Tangled Locks Founding Editor Teresa Berkowitz (95)
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Crafting Fantasy Fiction with Author Kate Ristau (95)
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Crafting the Right Pitch for Media Exposure (95)
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On Submission With Mother-Daughter Team, Sofia Aquilar and Lulu Lerma-Aquilar of Mag 20/20 (95)
Writing and Researching Historical Fiction (95)
Writing and Researching Historical Fiction (95)
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On Submission With Courtney Harler, Editor-in-Chief of CRAFT (95)
Keep the Series Fresh (95)
Keep the Series Fresh (95)
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On Submission With Suzanne Craig-Whytock, Editor-in-Chief of DarkWinter Literary Magazine (95)
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On Submission With Brooke Warner, Publisher of She Writes Press (95)
How to Appropriately Write Race and Ethnicity in Fiction (95)
How to Appropriately Write Race and Ethnicity in Fiction (95)
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On Submission With Sassee Magazine Editor Sarah Elaine Hawkinson (95)
Every Protagonist is a Superhero (95)
Every Protagonist is a Superhero (95)
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Facebook and Amazon Ads: Learn a Proven Method for Authors with Matthew J. Holmes(95)
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On Submission With Off Topic Publishing: Interview with Editor-in-Chief Marion Lougheed (95)
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But It Really Happened That Way! Tips for Blending Real Life Into Fiction (95)
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Don't Wait for luck: Sophie Poldermans Shares How to Create Momentum on a Topic (95)
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In Conversation With Award Winning Writer Flash Instructor Kathy Fish (95)
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The One Two Punch Story Opening by Madison Estes (95)
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From Journalist to Novelist: Crafting Characters with the 5 Ws and an H by Ekta Garg (95)
Worldbuild Like An Anthropologist by Shana Scott (95)
Worldbuild Like An Anthropologist by Shana Scott (95)
On Submission with Lisa Duff of Rivercliff Books and Media (95)
On Submission with Lisa Duff of Rivercliff Books and Media (95)
Perseverance and Strength: How Author Danica Davidson Worked with Holocaust Survivor, Eva Mozes Kor, to Publish Her Story (95)
Perseverance and Strength: How Author Danica Davidson Worked with Holocaust Survivor, Eva Mozes Kor, to Publish Her Story (95)
How to Have the Right Voice for Middle Grade (95)
How to Have the Right Voice for Middle Grade (95)
Isolated Vocals: Writing Dialogue, Speeches, and Audio Scripts (95)
Isolated Vocals: Writing Dialogue, Speeches, and Audio Scripts (95)
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On Writing and Community: JC Peterson, Author of the YA Novel, Being Mary Bennett (95)
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3 Ways to Become a Better Podcast Guest (95)
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We Can Make It Through This: Chelsey Clammer on Essay Writing, Trauma, Resiliency, and Her Third Essay Collection, Human Heartbeat Detected (95)
Never Too Late: Helena Rho Talks About Her Memoir American Seoul and Writing as a Way to Move Forward Through Life (95)
Never Too Late: Helena Rho Talks About Her Memoir American Seoul and Writing as a Way to Move Forward Through Life (95)
On Submission with Red Hen Press Deputy Director Tobi Harper (95)
On Submission with Red Hen Press Deputy Director Tobi Harper (95)
Passion and Perseverance Paved the Way for Award-Winning Writer and Poet Ruth Moose (95)
Passion and Perseverance Paved the Way for Award-Winning Writer and Poet Ruth Moose (95)
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On Submission with Under the Sun Editor Cindy Bradley (95)
Danger Around the Corner: A Discussion with True Crime Author Leslie Rule (95)
Danger Around the Corner: A Discussion with True Crime Author Leslie Rule (95)
On Submission with Healthline Media Editor Elinor Hills (95)
On Submission with Healthline Media Editor Elinor Hills (95)
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Sometimes Love is Funny: Author Denise Williams Chats About Romance Writing, Creativity, and Body Positivity (95)
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How to Rock in a Different Genre (95)
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Getting Published in Modern Love: Christie Tate Shares Her Experience (95)
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On Submission With... Welter: Interview with Editor-in-Chief Betsy Boyd and Poetry Editor Micaela Walley (95)
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25 Years of Journaling for the Health of It: Chatting with Mari L. McCarthy (95)
Creating Choice: What I Learned From Conversations with Working Writers (95)
Creating Choice: What I Learned From Conversations with Working Writers (95)
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Writing in Deep POV: An Interview with Lisa Hall-Wilson (95)
On Submission with Barzakh Magazine: Christy O'Callaghan, Managing Editor (95)
On Submission with Barzakh Magazine: Christy O'Callaghan, Managing Editor (95)
Susan Shapiro's The Book Bible Offers Insider Tips on Getting Published (94)
Susan Shapiro's The Book Bible Offers Insider Tips on Getting Published (94)
On Submission with Literary Agent Amy Giuffrida, JD Lit (94)
On Submission with Literary Agent Amy Giuffrida, JD Lit (94)
On Submission with Fractured Lit: K.B. Carle, Associate Editor (94)
On Submission with Fractured Lit: K.B. Carle, Associate Editor (94)
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On Submission with X-R-A-Y Literary Magazine: Jo Vanish, CNF Editor (94)
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On Submission with Flypaper Lit: Taylor Byas, Poetry Editor (94)
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Emily Ladau Shines a Light on Disability (94)
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A Bold Voice, and the inspiration to SLAY: Brittney Morris (94)
Craft From Inside a Literary Journal with Emily Everett of The Common (94)
Craft From Inside a Literary Journal with Emily Everett of The Common (94)
Using Save the Cat to Write Memoir, and Cracking the Beat Sheet Course Review (94)
Using Save the Cat to Write Memoir, and Cracking the Beat Sheet Course Review (94)
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On Submission With Exposition Review (94)
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On Submission With Marissa Glover, Senior Editor, The Lascaux Review: (94)
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On Submission With Lilly Dancyger: Author, Essayist, Editor (94)
Susan Shapiro Discovers the Power of Foregiveness (94)
Susan Shapiro Discovers the Power of Foregiveness (94)
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On Submission With Literary Agent Maria Rogers (94)
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On Submission With Janna Marlies Maron: Founding Editor of Under the Gum Tree (94)
Lessons From A Self-Taught Writer: Bestselling Author Mary Monroe (94)
Lessons From A Self-Taught Writer: Bestselling Author Mary Monroe (94)
When Your Freelance Writing Client Says Goodbye (94)
When Your Freelance Writing Client Says Goodbye (94)
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Collaborative Writing: Henry Winkler and Lin Oliver (94)
How to Write Fiction that Keeps Readers Up at Night (93)
How to Write Fiction that Keeps Readers Up at Night (93)
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An Interview with D.M. Pulley, Thriller Novelist and Master Storyteller (93)
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How to Twist Like Agatha Christie (93)
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Why Women Crime Writers Are Killing It (93)
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Straddling Two Worlds of Crime and Mystery Writing with Frankie Y. Bailey (93)
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Tension and Twists by Karen S. Wiesner (93)
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Analyzing the Twist Ending in Se7en and The Sixth Sense (93)
We Speak for the Dead: The Creation of a Writing Conference All About Crime (93)
We Speak for the Dead: The Creation of a Writing Conference All About Crime (93)
Mystery Markets that Pay Writers (93)
Mystery Markets that Pay Writers (93)
This Writer’s Favorite Thriller Twists: From The Partner to Gone Girl (93)
This Writer’s Favorite Thriller Twists: From The Partner to Gone Girl (93)
I Want to Write a Series. Now What? (92)
I Want to Write a Series. Now What? (92)
Jessica Bell: Peeking Behind the Curtain of Indie and Self-Publishing (92)
Jessica Bell: Peeking Behind the Curtain of Indie and Self-Publishing (92)
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How to Finance Your Self-Publishing Efforts Through Crowdsourcing (92)
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6 Programs that Authors Should Start Using Today (92)
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The Reality of Self-Publishing in Today’s Publishing Environment: Interview with Viki Winterton (92)
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How to Use Small Amazon Categories for Big Sales (92)
An Author’s Guide to Book Bloggers (92)
An Author’s Guide to Book Bloggers (92)
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From Grief and Rejection to Success in Self-Publication with Writer/Editor Patricia A. Nugent (92)
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Michelle Dim-St. Pierre Helps Us Explore Hybrid Publishing (92)
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A Provocation to Sorrow and Wonder: Lyric Essays and the Power of Language to Transform: An Interview with Chauna Craig, CNF Editor for Atticus Review (91)
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From the Desk of Elena Stiehler: Lyric Editor of The Sonder Review: The Lyric Essay and Working with Authors (91)
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To Submit or Not Submit? An Interview with Becky Tuch, Founding Editor of The Review Review (91)
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On Lyric Essaying and Casting On (91)
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Switch it up! Literary Magazines Seeking Unusual and Uncommon Stories (91)
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Seeking the Soul of the Story: Historical Fiction in Verse: A Conversation with Marilyn Nelson, Stephanie Hemphill, and Melanie Crowder (91)
Three Types of Lyric Poetry to Fire Up Your Writing Practice (91)
Three Types of Lyric Poetry to Fire Up Your Writing Practice (91)
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Utilizing the Media with Marybeth Niederkorn (91)
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Being Smart with Your Marketing Dollars: an Interview with Skye Warren (90)
How Podcasting Can Help Increase Your Presence for Your Writing Career (90)
How Podcasting Can Help Increase Your Presence for Your Writing Career (90)
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Book Marketing with SEO: Interview with Heather Lloyd Martin (90)
How to Use Instagram to Build Your Audience (90)
How to Use Instagram to Build Your Audience (90)
The Lazy Guide to Twitter (and My 5-5-5 Rule) (90)
The Lazy Guide to Twitter (and My 5-5-5 Rule) (90)
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How to Build Your Author Platform Before You Are Published (90)
What I Learned From My Second Book Launch (90)
What I Learned From My Second Book Launch (90)
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How to Write Blurbs that Sell! (90)
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How to Write an Effective Nonfiction Book Proposal (90)
Pitch This Exceptional Breed to Get the Best Freelance Clients (89)
Pitch This Exceptional Breed to Get the Best Freelance Clients (89)
Dos and Don’ts on Dipping Your Toe in the Freelance Writing Pool(89)
Dos and Don’ts on Dipping Your Toe in the Freelance Writing Pool(89)
Self-Publishing Mistakes I Made (And How I’m Fixing Them (87)
Self-Publishing Mistakes I Made (And How I’m Fixing Them (87)
Pay-to-Publish Companies: Are They All Out to Get You? (87)
Pay-to-Publish Companies: Are They All Out to Get You? (87)
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How to Write For Magazines that Aren’t in Your Demographics (86)
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How to Increase Your Writing Productivity (86)
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Radiate the Question Mark: How Speculative Memoir Offers Exploration, Not Answers - An Interview with Sofia Samatar (85)
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Snail to Sprint: How to Write Your First Draft in 4 Weeks (84)
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How to Find the an Right Markets for Your Ideas (81)
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5 Steps to Building an Online Business (81)
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Raise Your Income Writing About Agriculture by Deborah Jean Sergeant (79)
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Making Young Readers Laugh by Kerrie Flanagan (78)
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Tracking Your Banged Buck: Make Sure Your PR Pays Off by Devon Ellington (78)
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Interview with Literary Agent Stephanie Phillips with SBR Media by Amber Garza (76)
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How to Be a Successful International Freelance Writer by Pinar Tarhan (75)
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Writing About Sensitive Topics For Young Adults: Ellen Hopkins, Cheryl Rainfield, and Jay Asher by Kerrie Flanagan (74)
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How to Write With (or Despite) Kids by Andrea Lani (73)
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Your Writing Niche is More Than a Topic by Kristy Rice (71)
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How I Built a Platform of 100 Crowdfunding Supporters in 45 Days by Dorit Sasson (70)
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Interview with Kelly Sundberg, Brevity's Managing Editor by Kathy Higgs-Coulthard (69)
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Telling the Story in Captions: Writing Cutlines for Pictorial Histories by Cheryl Eichar Jett (69)
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How to Write and Publish Listicles by Tiffany Doerr Guerzon (69)
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Making Short Work of Your Digital Platform by Cindy Eastman (69)
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Huge Benefits of Writing Miniature Stories by Anne Greenawalt (69)
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Making Short Gigs Sweet by Deborah Jeanne Sergeant (69)
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Book Taglines: Make It Snappy by K.S. Dearsley (69)
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8 Easy Time Savers For Article Writing by Gila Green(69)
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The Moral of the Miniskirt! Writing Short Blog Posts by Jennifer Brown Banks (69)
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How to Write a Devotional in 300 Words or Less by Sandy Kirby Quandt (69)
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Your First Article: Using Your Fiction to Sell Non-Fiction by Rachel Carrington (69)
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2 Easy Productivity Hacks for Writers by Bernadette Geyer (69)
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Nurturing the Talents of Writers: Literary Agent Eve Porinchak (68)
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Building Lasting Relationships With Clients: Literary Agent Vicki Selvaggio (66)
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Writing Stories That Don't Look Like Stories by Elizabeth Harris (66)
Overcoming a Writer's Identity Crisis: Find Your Writing Joy Again (56)
Overcoming a Writer's Identity Crisis: Find Your Writing Joy Again (56)
Creative Impasse: The Intersection of Creativity and Motherhood (56)
Creative Impasse: The Intersection of Creativity and Motherhood (56)
Why Weird Writing Rituals Work (56)
Why Weird Writing Rituals Work (56)
Slam: Retrain Your Writer's Brain (56)
Slam: Retrain Your Writer's Brain (56)
Spine-Tingling Tales of Suspense: How To Write a YA Psychological Thriller (56)
Spine-Tingling Tales of Suspense: How To Write a YA Psychological Thriller (56)
10 Ways to Play the Waiting Game (And Win It!) (56)
10 Ways to Play the Waiting Game (And Win It!) (56)
Life As an Editing Warrior: Revising and Slashing to Win the Battle (55)
Life As an Editing Warrior: Revising and Slashing to Win the Battle (55)
The Layered Edit: A Step-By-Step Manuscript Editing Process (55)
The Layered Edit: A Step-By-Step Manuscript Editing Process (55)
Help! I've Frankenmonstered My Manuscript! What to do When Your Revision Techniques Need Revising (55)
Help! I've Frankenmonstered My Manuscript! What to do When Your Revision Techniques Need Revising (55)
Shedding Light on the Role of the Beta Reader (55)
Shedding Light on the Role of the Beta Reader (55)
Revision, Rework, Rewrite: How to Get Your Work Back Out When Your Target Editor Says No (55)
Revision, Rework, Rewrite: How to Get Your Work Back Out When Your Target Editor Says No (55)
So, What Does A Literary Agent Do? (54)
So, What Does A Literary Agent Do? (54)
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How To Win Over Literary Agents: Interview With Literary Agent Jessica Sinsheimer Of The Sarah Jane Freymann Literary Agency (54)
Impressing The Gatekeepers: What Agents And Editors Seek In Submissions (54)
Impressing The Gatekeepers: What Agents And Editors Seek In Submissions (54)
Avon Impulse: Bringing E-Romances Into Readers’ Hearts - A Chat With Editor Lucia Macro (54)
Avon Impulse: Bringing E-Romances Into Readers’ Hearts - A Chat With Editor Lucia Macro (54)
The New Yorker For Mothers: An Interview With Marcelle Soviero, Editor-In-Chief, Brain, Child Magazine (54)
The New Yorker For Mothers: An Interview With Marcelle Soviero, Editor-In-Chief, Brain, Child Magazine (54)
Facebook Best Practices for Profiles, Pages, Groups, and Posts (53)
Facebook Best Practices for Profiles, Pages, Groups, and Posts (53)
Social Media Slam: Using Social Media to Connect with Influencers and Gain an Audience (53)
Social Media Slam: Using Social Media to Connect with Influencers and Gain an Audience (53)
Blogging Slam: How To Get Me to Your Blog and Keep Me Coming Back, and How To Sell E-books on a Niche Blog (53)
Blogging Slam: How To Get Me to Your Blog and Keep Me Coming Back, and How To Sell E-books on a Niche Blog (53)
Where are Your Eggs? Create Multiple Streams of Income for Your Blog (53)
Where are Your Eggs? Create Multiple Streams of Income for Your Blog (53)
No Clips? No Problem. Build Your Portfolio with Stepping Stones (While Still Making Money) (52)
No Clips? No Problem. Build Your Portfolio with Stepping Stones (While Still Making Money) (52)
Writing Money: Using Your Expertise as a Writer (52)
Writing Money: Using Your Expertise as a Writer (52)
Seeking to Share Your Spiritual Side? Learn How to Write for Busted Halo (52)
Seeking to Share Your Spiritual Side? Learn How to Write for Busted Halo (52)
The Healthy Freelance Life Slam: Get Out of Your Comfort Zone (52)
The Healthy Freelance Life Slam: Get Out of Your Comfort Zone (52)
The Energizing Spirit of Transition: Divergent Paths to Publication (51)
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f you’re on Facebook, you know it’s hard to keep up with the rules for profiles, pages, groups, events, contests, and advertising. Not to mention, there’s the relatively new timeline format that everyone must get used to now. Here are some tips from authors who are in the thick of things and using Facebook to find and interact with readers.
But first, a quick reminder of the different features of Facebook. Most people just log in with their profile, a personal timeline about them. In addition, you can create as many pages for your book’s fans, author brand, or freelance business as you’d like to take care of. Facebook groups function as a private meeting room for friends who gather for a purpose or for people interested in the same subject. Anyone can create an event, which is tied to a specific date.
Personal Profiles
Susanna Reich, author of Minette's Feast: The Delicious Story of Julia Child and Her Cat, used only her Facebook profile to promote this picture book. Starting a few months before the publication, she posted news, reviews, interviews, event announcements, event photos, and Julia Child quotes. She cautions, “I’ve found that over time I’m getting fewer ‘Likes’ and comments. I suspect that a constant diet of Julia Child can become boring, and I’d have more success if I mixed in posts on other topics.”
“I suspect that a constant diet of Julia Child can become boring.”
(Photo of Susanna Reich by Laurel Golio)
Profiles Best Practices
To make the most out of your profile, here are some tips you can use to help. For further information on each feature, follow up with the corresponding Facebook Help section.
The “About” section of your profile is crucial because any links here are clickable. Use this opportunity to let your friends know that you are a writer and link to what you write. Make sure to keep these links and information current because it is one of the first things visitors see on your profile.
Your cover photo for your profile should be unique and show the world something about you. It should be 851 pixels wide x 315 pixels tall and less than 100 kilobytes. Specific call to actions are forbidden: no “click here,” no price or purchase info, no contact info (such as web addresses, phone numbers, e-mail addresses), or no pleas to please like this page. If you don’t have a photo editing tool like Photoshop to perfectly size your cover photo, try the Timeline Slicer App: https://timelineslicer.com/.
The profile image is smaller than your cover photo, 180 x 180 pixels, and can be anything from a book cover to your latest author photo. For directions on uploading a profile photo, please see the link.
App Thumbnails: Shown under the large cover photo on your personal profile are the thumbnails of any apps you use. Some of these are the same for any user: photos, events, and friends. Others are specific to each profile and can include apps, like Pinterest, Goodreads, and Groupon. The friends app is always first and shows how many mutual friends you share with someone else. Next comes the photo app with the latest image you have uploaded. To the far right, there’s a triangle to click on and reveal all your apps, and you can rearrange some of the boxes as you like by clicking in the upper right-hand corner of each box. You can also edit settings for any app by going to the apps section in your account settings.
For any post you put on your profile, you now have the choice of “Status, Photo, Place, or Life Event,” which you will find listed above the box on your profile that says, “What’s on your mind?” Then as you are typing in your message or adding your photo, you can tag friends, choose a location, and add a date by clicking on the symbols below the box where you are typing. If the post is intended to be a Life Event (see below), such as signing with an agent or selling the first thousand copies of your book, you must include a date. You can also specify who will see your post underneath the status box and choose from public, friends, friends except acquaintances, only me, or customize it to how you want it. You have a lot of options and control over your settings. Be sure you understand these options, so you can control your communications and privacy if needed.
Life Events: A final option is to use the “Life Events” feature to really create a timeline of your life by adding dated posts of events. The publication of a new book is a perfect time to create a Life Event. These are prominent full-width posts, and you can go back and create any you wish, even if the date has passed.
Popular women’s fiction author Claire Cook uses a Facebook page to connect with over seventeen thousand readers.
Cook says, “I see Facebook as one more way to connect with my readers. I wouldn’t have a career without their support, so I try to do things that are fun and will encourage them to spread the word about my books.”
As you can see in the screen shot of Cook’s fan page, it is also organized with the timeline features. Many of the features are the same for both the profile and the fan page since both use the timeline feature.
Fan Page Best Practices
Customize the name: Facebook pages always have the URL https://facebook.com/PageName. You want that “PageName” to be your name or something related to your book or business. As long as you have under two hundred fans, you can customize the name to anything, as long as it isn’t already taken. One problem is that you can’t use the same name as your personal profile. That meant I had to name my own fan page this way: https://facebook.com/DarcyPattisonAuthor. Claire Cook’s page name is “ClaireCookauthorpage.”
Customize the About box: This is similar to the “About” section on your personal profile, but you have the ability to add different types of information, depending on your Page’s category. For example, if you own a local freelance writing business, you can add your address, phone number and more info about your business.
No landing pages: Before 2012, businesses were allowed to use landing pages to create special incentives for people to “Like” their page. With the timeline feature, this is no longer allowed, making the cover photo and your page’s profile picture even more important. Cook solved this by creating a cover photo that includes all her books and a headshot for her page’s profile picture.
Integrate all other social media into your page: Pat Flynn, of SmartPassiveIncome.com, has a great video on how to install an app that allows you to link up your fan page with YouTube and Twitter.
Ask people to “Like” your page: Of course you want to rack up seventeen thousand-plus fans just like Claire Cook. How do you do that? First, you post the URL everywhere, then talk it up, add interesting content that can be passed around (more on content in a minute), and finally ask for fans.
Here’s one simple way to do this. In a typical week, I might get a dozen requests to add someone as a friend to my personal profile. When I do add them, I immediately send a simple message that says, “Thanks for friending. You may also be interested in liking my page at https://www.facebook.com/DarcyPattisonAuthor.” That simple request usually gets a “Like” and a new fan.
Use the Insight statistics: Facebook keeps statistics on who visits your page, how many of your posts are shared, and more. When you log on to your fan page, you’ll see something that no one else sees—your administrator’s panel. It gives you notifications (who “Liked” or shared something), messages, new Likes, Insights, and tips. Clicking on the Insights link gives you access to the full statistics panel. This helps you by analyzing what sorts of posts do best. Spend time getting to know your statistics and how it can help you earn even more friends.
Respond to fans and let them message you: One of the privacy controls on a fan page is whether or not fans can message you. Facebook is about interaction and building community. Be sure to interact.
Pinning. If you want to emphasize a post, you can “pin it” to the top of your page, which means it will always display at the top. This static post will stay in that prominent position for seven days. You can identify a pinned post by the orange flag on the top right of the box. While you can only pin one post at a time, you can go backwards and pin any post that you’ve posted previously.
The Groups feature is a different way to interact with people on Facebook. It allows you to gather a community around a topic, interest, or ongoing event. Groups, unlike fan pages, are tied to your personal profile. The advantage of Groups is that when you or any other member of a group posts, everyone is notified. When you log on to Facebook, you’ll see your groups listed on the left-hand side and a number beside it, indicating how many posts were added since your last login. By default, group members are e-mailed when posts are added. They can change the notifications in their Groups settings, but they will still see the number of posts in the menu.
This notification issue is crucial when you decide whether to use a group or fan page or both. Facebook reports that only about 16 percent of fans will see a post on a fan page. Facebook users typically have many friends; and if each friend posts daily, the number of messages you could potentially see becomes huge. Add to that posts from pages you have “Liked.” What messages should Facebook show you first?
Facebook uses a mathematical algorithm called EdgeRank to decide this, based on your interactions with other individuals or pages. Each time you comment, like, or share, the algorithm says, “Oh, you like this person/page a lot, I’ll show you news from it again.”
In other words, when you constantly comment on your daughter’s news, you’ll see her posts at the top of your news feed. Other friends’ posts can drop off the bottom of your home page. You can find them by going to a specific person’s profile or by changing your notifications.
With only 16 percent of fans reading your posts, it sometimes makes sense to create a group instead.
Tara Lazar hadn’t thought about a Facebook group, until someone else suggested it. Each year in November, while the novelists are doing National Novel Writing Month, the picture book folks are doing the Picture Book Idea Month or PiBoIdMo. Lazar says, “In 2011, I created a Facebook group for PiBoIdMo. It seemed to be a good way to have PiBoIdMo’ers interact with each other, discuss the daily posts, and otherwise share information about picture books.” This public group has 337 members and the community that has sprung up around the group has continued to thrive.
Lazar says, “The group page allows any member to post, while a fan page is really more geared toward having one person—I guess that would be me, as the PiBoIdMo ‘CEO’—post information.”
“The group page allows any member to post.”
(Photo: Tara Lazar, left; Doodle, mascot of PiBoIdMo ‘12, right, by Peter Harren and Kayla Skogh)
Facebook Groups Best Practices
Add the right people from your friends list to join your group. When you create a group, you can directly add people from your friends to the group. Then they can opt out if they wish. You can also set the group’s settings to allow people outside your friends’ list to ask to join, if you would like to gain more members.
Think community. The best Facebook groups are created around topics with passionate advocates, who will sustain the group with little work from you as the administrator.
Just like on your website or blog, content is king. To use Facebook effectively, you need to be posting the right content—something that will catch interest, entertain, or inform.
Text: You might think that your status update is the most important content. Sure, you can do a text status update, and you’re likely to get lots of “Likes, comments, and shares.” Keep those updates short, and you’ll do even better.
Click Like if ______
Click Like if you love/think/believe/want ______. Make sure the item is of interest to your audience.
Ask a question or state something like, “Tell me in a comment below ______”
How do you feel about ______?
What happens when you ______?
What’s your favorite thing about ______?
Why do you ______?
What’s your favorite way to ______?
Click this link if______ (Give them a reason to click).
Check out this blog post because ______
Click here to get this discount before it goes away.
Check out the latest review of my new book.
Cook says, “I like to ask my readers to post details to help me with novels I am writing; ‘What’s in your junk drawer?’ is the one that pops into my mind first.”
Photos: However, especially since the change to timeline this year, Facebook is giving preference to photos and videos. Good photos rule.
“The most popular posts about Minette were photos of food,” Reich says. “Like the time I made Julia Child’s recipe for Raspberry Chantilly.”
“I also post photos when I’m on book tour,” Cook says. “And book clubs post photos, and my readers even take beachy books on vacation with them and post photos of that, too.”
Promotions: Cook and her publisher, Simon & Schuster/Touchstone, partnered with Lake Austin Spa Resort to give one of her readers and a friend a spa vacation to attend the book launch party of her novel, Wallflower in Bloom.
Contests, promotions, and giveaways are all good strategies for gaining Facebook fans. Because Facebook requires all contests to be run by a third-party app, you must look outside Facebook and try several apps to find one you like. For example, ShortStack provides a variety of features free for fan pages with fewer than two thousand fans (https://www.shortstack.com/facebook-app-features/).
For Minette’s Feast, Reich did a giveaway during the publication month. “The giveaway ran for a whole month,” she says. “So there was time for word to spread. After the giveaway, I posted fun photos.”
Facebook is a bewildering maze for the untutored (but consider yourself tutored now!). Still, the questions remain. Should you do a fan page or a group and run promotions?
For Reich, the question came down to time. “I considered a Fan Page separate from my individual profile, but decided against it because I didn’t want to maintain two pages.”
Cook suggests a more authentic approach to all things relating to Facebook, social media and book marketing. “I stay away from, ‘Don’t do this, and always do this, and never do that.’ I don’t think one size fits all. Be who you are and do what feels genuine. If you don’t like Facebook, or interacting with your readers, it will show. So, put your time into something else that works for you.”