Learning about your character
Okay, what is it you REALLY want to know about your character(s)? Do you really know everything about him/her? You are writing a piece of fiction and you have already pegged a character's eye color and her eyebrow plucking habits. But where do you go from there? How do you share the inner thoughts of a character? Yes, she does have them. How do I know? Because you created her to be well-rounded, multi-dimensional...and someone to jump off the page.
So, I'm staring at the words describing my young adult character as he reacts to something. I'm excited. I feel I've captured the essence of something incredible. And then I shared the scene with someone, whose reaction deflated my character, right there on the page. I then felt the air go out of me, as well.
Disheartening? Yes, definitely. But it also gives me the opportunity to return to my character, breath some more life into his actions, rifle through his pockets, find out what he carries in his backpack, traipse through his room (as only a mother can) and learn every dimension of his life.
Will I need all of that? Probably not within the actual story, but I am convinced that the brand of jeans he wears will probably inform what kind of summer job he has or if he even needs a job. The reaction he has to extra homework will add shading and texture to his reaction to losing something dear to him.
The picture is painted of him, complete from his favorite chewing gum to his well-worn socks. I need those images of him to make the dimensions tangible to my reader so the next time I share the character's reaction to a monumental event, my reader is with me and can feel the anguish I know he feels, as he jumps off the page.
One fiction exercise I have loved giving and receiving is emptying out your character's pockets or purse. What is in there? Why? And if that seems too tiresome, you might do what I do: instead of writing, I clean out my own pockets and purse and ask why.... ;)
Elizabeth King Humphrey is a certified Kaizen-Muse Creativity Coach and freelance writer. She also blogs at www.CoastalCarolinaMoms.com and www.TheWriteElizabeth.com, delving into creativity in everyday places. She is looking forward to introducing you to her well-drawn character someday soon.
So, I'm staring at the words describing my young adult character as he reacts to something. I'm excited. I feel I've captured the essence of something incredible. And then I shared the scene with someone, whose reaction deflated my character, right there on the page. I then felt the air go out of me, as well.
Disheartening? Yes, definitely. But it also gives me the opportunity to return to my character, breath some more life into his actions, rifle through his pockets, find out what he carries in his backpack, traipse through his room (as only a mother can) and learn every dimension of his life.
Will I need all of that? Probably not within the actual story, but I am convinced that the brand of jeans he wears will probably inform what kind of summer job he has or if he even needs a job. The reaction he has to extra homework will add shading and texture to his reaction to losing something dear to him.
The picture is painted of him, complete from his favorite chewing gum to his well-worn socks. I need those images of him to make the dimensions tangible to my reader so the next time I share the character's reaction to a monumental event, my reader is with me and can feel the anguish I know he feels, as he jumps off the page.
One fiction exercise I have loved giving and receiving is emptying out your character's pockets or purse. What is in there? Why? And if that seems too tiresome, you might do what I do: instead of writing, I clean out my own pockets and purse and ask why.... ;)
Elizabeth King Humphrey is a certified Kaizen-Muse Creativity Coach and freelance writer. She also blogs at www.CoastalCarolinaMoms.com and www.TheWriteElizabeth.com, delving into creativity in everyday places. She is looking forward to introducing you to her well-drawn character someday soon.
Labels: Elizabeth King Humphrey, fictional characters, visualizing characters