Slow down!

Recently I noticed that I have been on a fast track and can't seem to slow down. It's as if I am on fast forward. I don't know how many people also feel this way, but I think I have learned a lesson over the past few days.

I recently came down sick with a horrible virus. It really knocked me for a huge loop. I couldn't believe it. I literally have had to stop and rest. Mind you I don't like to rest, I am the one that feels I have to keep going and keep doing no matter the situation.

This brought me to another thought about my writing. I am driven when it comes to deadlines. As long as I know when something is due and I know that there is a set time to get something completed by, I can make the deadline; however, I have noticed that if I don't slow down enough, I tend to make a ton of mistakes. This has not only shown up in my personal life and at work but in my writing as well.

My paragraphs are way out of whack and my sentence structure is awful. It made me realize that I am rushing things a little too much and that I really need to slow down. I need to take the time to make sure that everything is right and what is asked of me in my writing. So, then it is time for me to slow down. I need to make a difference in how I do things. It won't be easy, but it will be worth it in the long run.

I have made myself a list of how I will make a difference in my writing by slowing down.

1) Make sure I have done the research on the subject and have a clear understanding of it.

2) Take the time to build each paragraph accordingly, making sure that each paragraph flows properly and creates a good valid point for the readers.

3) Read through the entire article more than once. Make the necessary corrections as I am reading through the article to make sure that it flows properly for my readers.

4) Read through the article once again checking for any additional spelling errors or sentence issues.

5) Double check research information, make sure I am passing along the correct information. This is highly important. Not only to me but to my readers; I want to make sure they are getting the correct information on the subject.

Through these steps I am hoping that I can make a difference in my writing, my life and the things that I hope to accomplish.

Happy writing everyone!

Books and Water: Combining our greatest resources

When The Muffin sought reviewers to write about "Water: The Epic Struggle for Wealth, Power, and Civilization" by Steven Solomon (Harper/HarperCollins Publishers; $27.99; ISBN 9780060548308) I jumped at the chance.
Why would I want to dive into more than 500 pages about water?
Sure, I appreciate a good non-fiction read. But wouldn't a book on water be, well, ahem, a little dry? Admittedly, "Water" may not always be the most riveting read, in places trickling a little slowly.
However, Solomon understands the global and historical importance of water--how our planet with 70 percent water sets us apart from our solar system neighbors. He takes such a regular and taken-for-granted resource and, in a well-researched and well-written book, brings his readers along for an epic ride.
Solomon, a respected journalist, has succeeded in tackling a serious book about an amazing substance that affects all of us, no matter how much of your daily intact you actually drink or where you live. And water has impacted societies from the earliest times--and continues to do so.
Divided into four parts, Solomon takes his readers from the ancient times, explaining the importance of water and irrigation for early civilization. He incorporates the importance of water in early trade and the age of discovery. Water plays a role in the industrial society, giving way to the rise of our international focus. The fourth section, with the lens developed throughout the previous sections, brings readers into the "The Age of Scarcity." Solomon also addresses the politics of water in the twenty-first century.
One of my favorite parts of the book is Solomon's consideration of the importance of sanitation and clean water. England in 1858 was not the cleanest place to live and 25,000 Londoners had died from two cholera epidemics in the previous 10 years. Clean water was at a premium and, that summer, the heat and stench increased, giving rise to "The Great Stink." The stench succeeded where years of politicking had failed forcing Parliament to pass legislation (in 18 days) to "construct a proper sanitary sewerage system befitting the world's leading city."
Solomon writes: "Throughout history, water's life-giving indispensability had always been double-edged. On the one side, drinking two to three quarts of clean freshwater daily sustained each person's existence.... Yet simultaneously, drinking contaminated water and exposure to stagnant water bearing an infiltrating army of diseases also was the main source of human illness, abbreviated life spans, and physical miseries."
Those words may seem obvious to some, it is that accessibility coupled with the historical intricacies that makes this book so fascinating to read.
While the book may not be for everyone, I can see this book flying off shelves and becoming required reading in academic settings (perhaps an environmental studies course or two).
If you desire a captivating and accessible work about something we often take for granted, you should add this one to the top of your reading list.

Elizabeth King Humphrey is a writer and creativity coach. When she is not drinking the recommended daily allowance of water, she contributes to AOL's ParentDish, she blogs at The Write Elizabeth, delving into creativity in everyday places.

James Tipton--Third Place Winner in the Fall 2009 Flash Fiction Contest

You might recognize James Tipton since this is the THIRD time he has placed in the WOW! flash fiction contests. You'll want to make sure and read his third place winner, "Getting to the Bottom of the Girl in the
Blue-Jean Cut-Offs."

Here's some information about James in case you haven't met him before:

James Tipton lives in the tropical mountains of central Mexico where he writes short poems and short fiction. He is also a columnist for and Associate Editor of El Ojo del Lago and El Ojo del Mar, monthly magazines published in Mexico for the English-speaking community. He is also book review editor for Mexico Connect, the largest online source for “all things Mexico”. He has published more than 1,000 short stories, poems, articles, and reviews in North American magazines, including Esquire, The Nation, Christian Science Monitor, American Literary Review, and Field.

His book of poems Letters from a Stranger (with a Foreword by Isabel Allende) won the Colorado Book Award in 1999.

His most recent collections of short poetry are published in bilingual (Spanish and English) editions: Washing Dishes in the Ancient Village/Lavando platos en el antiguo pueblo and All the Horses of Heaven/Todos los Caballos del Paraíso. He is currently completing a collection of short stories set in Mexico, Three Tamales for the Señor.

Washing Dishes in the Ancient Village is available through Bread & Butter Press/1150 S. Glencoe/Denver, CO 80246, $10.95 plus $3.00 shipping & handling. All the Horses of Heaven is available through www.themetpress.com, $12.95 plus $4.00 shipping & handling.

WOW: Congratulations on your third time placing in the WOW! flash fiction contests. What makes you enter your work into contests?

James: Well, I do not feel particularly competitive, but I do find the WOW! contests fun and also stimulating. Having a deadline, which I keep track of, makes me sit down and do something.

WOW: We're glad you find the contests fun, and the deadline works for you! Where did you get the idea for "Getting to the Bottom of the Girl in the Blue-Jean Cut-Offs?"

James: I lived for many years in western Colorado, and I often saw interesting young Indian women. I also knew many men over the years who had never seemed to be able to "settle down" into a reasonably secure and reasonably well-paying position, partly because of their own characters and partly because of the changing academic world. Women often seem to have a stronger sense of reality. In my story, the man wants to "get to the bottom of the girl in the blue-jean cut-offs;" but of course, what he really wants to do is get to "the bottom of himself," but he does not realize that.

WOW: I love the title, and your "twist" makes it a great flash fiction piece. What are the themes you like to explore in your work?

James: I write a lot about male-female relationships, and I try not to bias my stories and themes--at least looking over a lot of them---either way. Lurking inside of every relationship is the possibility of huge personal growth. We no longer look for God or spiritual meaning in old religious documents or in building churches with ever higher spires. In our own time, we look for God or spiritual meaning in relationships. The person in front of us is the church that we must enter, even kneel down before. Lots of writers are working with this theme...for example, the Canadian writer Leonard Cohen (the song/poem "Suzanne," for example: "who takes you down to her place by the river; or the song/poem "Light as the Breeze" where: "she stands before you naked" and then something like "it don't matter how you worship/as long as you're/down on your knees.). I've always enjoyed the company of women a lot more than the company of men, so I may have some bias there after all.

WOW: You're certainly fitting right in at WOW! (smiles) Do you like to focus more on your characters in your work, your setting, or your plot?

James: I always focus more on the characters, and any plot I have is largely "character-driven". I do use settings toward revealing character. I have lots of stories set in Mexico, for example. Both characters and actual people reveal themselves in foreign or at least unfamiliar settings. How they respond to those settings tells us a lot about their characters. In one aspect, they are "setting-driven" characters, or "situation-driven" characters might be another related idea. I'm trying to finish a collection of short stories, Three Tamales for the Senor, set in Mexico, in which these ideas are working.

WOW: What a great title, and I'm sure it is a fantastic collection. We know you can sure write a short story! Tell us a little about your writing routine.

James: I often go days and days at a time writing something, often for hours. I do this partly because I write a column each month; I write a book review each month for another magazine; and I write various pieces I have promised to still other magazines. Then, for fun, I work on stories and poems, particularly short poems of late. I usually write in the mornings and in the evenings.

WOW: It sounds like you are keeping busy with all your writing responsibilities. What are you currently working on? Any more contest entries in the future?

James: I'll probably try some contests in the future, perhaps even a WOW! contest. I really thought I would receive first prize this time because I had worked so hard on that story, "Getting to the Bottom of the Girl in the Blue-Jean Cutoffs," honing it and honing it--so that when I finally sent it, I thought I had it perfect. I also have a collection of poetry, in both English and Spanish, about finished, titled To Love for a Thousand Years, as well as that collection of short stories I already talked about.

WOW: Best of luck to you in the future, James, with all your writing projects.

Interview by Margo L. Dill, margodill.com/blog/

The March 15 Blog That Probably Shows Up On March 16

Time. It seems like I never have enough hours in the day. I'm sure many of you feel the same way. Luckily, I have the opportunity to freelance full time. I tried to juggle freelancing with a full-time teaching position, but the results were less than spectacular. I was lucky if I queried five or six publications a year. Now, I query five or six a week!

It's exciting, yes, but sometimes it still feels like I'm running the marathon, trying to fit as many writing opportunities into the day as I possibly can.

In theory, you should have received this e-mail diatribe on March 15. In actuality, it will "probably" end up with a March 16 date, depending where you reside. Is that a problem? Not necessarily. But, for me, the woman-writer-perfectionist, it is a problem.

Basically, I overscheduled myself today. As writers, it's probably happened to all of us at some point. We think we can squeeze in one more interview and get those notes transcribed before we begin dinner preparations. Or we focus on completing the page of fiction or a line of a poem before we fold the laundry.

Sometimes, in the rush for manufacturing as much writing as possible, we forget to breathe. Sometimes, we forget to realize that we may miss a deadline and actually learn from it.

For me, writing is a 24/7/365 career. I'm constantly assessing situations and considering story angles. Does it mean I'm planted in front of my computer 24/7? No. I take a daily breaks, and sometimes, family duty requires an extended break.

I choose to write as much as I possibly can. Occasionally, I overextend myself or I don't take into account how a gloomy day (we haven't had a full day of sunshine in three months and we had 90 days with temperatures below 30) affects my productivity.

Writers need to find a balance between time and projects. Since I've been freelancing, I've discovered that balance exists some days, but other times, the writing table is tilted in favor of putting pen to paper, filling it with exciting words and phrases. I may begin at 7 AM. I may sleep in until 9 and start by 10. I may work two hours, take a break, make lunch, hang out with my husband, and return to the office at 9 PM and write until the early morning hours.

Bottom line: find a balance between obligations - both personal and professional. Make time work in your favor.

My husband's asleep now, and I have moved my laptop back to the confines of the office, where I won't hear the drone of his snoring. You see, before I lay me down to sleep tonight, I have another story that's brewing, and I'm afraid if I don't take time to get those thoughts on the computer hard drive, my brain's hard drive may forget the material by morning. That's something I'm not willing to lose.

Do I worry that I'm not getting enough sleep? Sometimes, yes.

But a power nap tomorrow afternoon will revitalize my energy and guide me toward the keyboard, where I make magic happen.

By LuAnn Schindler
Visit LuAnn's Writing on the Wall at http://luannschindler.com or follow LuAnn on Twitter - @luannschindler

Prompts on the Brain

By Jill Earl

Here’s are a selection of prompts to try, courtesy of A Working Writer’s Daily Planner 2010.

For this first one, ‘Travel’, you begin by cutting out pictures from the travel section of a newspaper such as the New York Times. Lay them out and imagine a trip for your character. Write about what they did and saw, anything that comes to mind---and if the character has left anything behind at home. Perhaps having your character get away from it all can help you get away from that writer’s block.

Next up, ‘Mirror Image’. Think about the kind of life you’d have if you had a double, not a biological twin. What would they be like? What kind of life would they lead? Write a scene where you meet them. What if you had a third self, one you wouldn’t want? Last thing---how about all three of you going out for lunch?

Here’s the last one. Find a story that intrigues or fascinates you. Try writing yourself into it as a character. Oh, the places you could go with this one! (Thanks, Dr. Seuss!)

So if you find yourself hitting a wall in your writing, think about using prompts. Perhaps having ‘prompts on the brain’ can help keep your writing fresh.

And keep those submissions going!

Friday Speak Out!: "From Almost Famous . . . To the Cutting-room Floor," Guest Post by Dallas Nicole Woodburn

FROM ALMOST FAMOUS . . . TO THE CUTTING-ROOM FLOOR

by Dallas Nicole Woodburn

Soon, my face will be on that big screen, I thought, as the plush theater seats steadily filled around me for the red-carpet premiere. I’ll be famous!

Okay, almost famous. Or, maybe, recognizable. Possibly. Around campus.

“Why are you here, dear?” asked the Versace-dressed woman beside me in the center-aisle VIP second-row seats.

I tried, but failed, to hide my smile. “I’m in The Movie,” I said, excitement overwhelming any small dose of humility I possessed.

Okay, so maybe movie isn’t the right word. It was more of a short film; a documentary to celebrate the 125th anniversary of the University of Southern California, where I was a freshman majoring in Creative Writing. As a student with two published books to my name (first editions still available!) they interviewed me twice, for more than an hour each time, asking all sorts of questions: Why did you choose USC? Do you like the writing program? If you see Pete Carroll, will you get his autograph for me?

I spoke about the energy and school spirit on campus, how President Sample (who had come across my second book) wrote me a personal letter welcoming me to the university, and I mentioned I was looking forward to having T.C. Boyle, one of my favorite authors, as a professor in upcoming years. I was thoughtful, I was eloquent, I was charming. “You’re a natural,” the cameraman told me.

Now. The lights went down. I patiently fidgeted through each big-screen interview, until suddenly my face appeared, as huge as Dan Brown’s advance check.

“I’m sooooo excited about having T.C. Boyle as a professor!” On-Screen Me gushed.

The camera cut to Professor Boyle, looking as Hollywood as ever in his trademark red Converse high-tops, a suit-jacket over a black T-shirt, and sunglasses hanging from a bead Zen-like necklace. “I think I provide an inspiration for them,” he said. He paused, then added the punchline – and punch to my stomach: “Because they think, if he can do it, anybody can!”

He laughed.

I cringed.

I waited for the film to return to me – this time Calm Me, regaining face with a more poised comment – but soon the closing music swelled, the credits rolled, the lights came up, and it was Over. Finished. My starring role was reduced to a blink-and-you’ll-miss-it line that made me seem like a teeny-bopper with a crush. Meanwhile, my two hours – minus eight seconds – of brilliant interview lay on the digital-age equivalent of the cutting room floor. I might be “a natural,” but I decided, then and there, to stick with screenwriting.

* * *

“If you're writing screenplays, STOP IT!” Ray Bradbury exclaimed, his voice filling the packed auditorium. “Hollywood’s full of $#*&!”

The audience roared, but his words made me shrink. If the great Ray Bradbury has trouble selling scripts, surely I’m full of $#*& for thinking I can.

And yet, here I was nine months later at the Santa Barbara Writers Conference, teaching a workshop for young writers – and also slipping into the highly acclaimed Walter Dallenbach’s screenwriting workshop whenever I got a chance. Here, I joined a group of two-dozen other Hollywood hopefuls to read our screenplays aloud for “flow,” all of us dreaming that our script will become the next Sundance surprise.

“I was walking in downtown L.A. last week,” Walter told us, “and I randomly asked ten people what problem they were having with their screenplay. Of those ten people, only two gave me strange looks and said they weren’t working on a screenplay – the remaining eight of them launched into detailed descriptions of their plot holes and character troubles.” A few people laughed. “I’m not joking,” Walter insisted. “Hollywood’s full of $#*&&% screenwriters!”

* * *

The final night of the Santa Barbara conference, T.C. Boyle – wearing his trademark ensemble of red high-top Converse sneakers and T-shirt/suit jacket – read a sneak snippet from his latest book. Incredibly, the guy still doesn’t know who I am, even aft er I sent him a copy of my book, introduced myself at the L.A. Times Festival of Books, and cornered him in the English department elevator, where I lamely stammered “Y-y-yes” when he asked what floor I wanted.

Even though a number of his novels have been made into feature films, Boyle echoed Bradbury’s comments, saying: “I don’t fool around with screenplays. I sell the rights and let Hollywood deal with it.”

Later, T.C. – who had been introduced by his full name, Thomas Coraghessan Boyle – signed books. I joined the long line of eager fans, hoping he hadn’t yet gotten a restraining order against me for stalking. Fifteen minutes later, I was staring at my nervous reflection in Boyle’s mirrored sunglasses, while he read my name from the sticky-note placed on the book’s title page to speed up the process. “Dallas . . .” he said, the syllables rolling slowly off his tongue, as if perhaps I was indeed vaguely familiar, then noticed my “Young Writers Program Faculty” name-tag. “How were the kids?” he asked, gesturing to it with his pen.

“I had a lit agent talk to them yesterday,” I said, trying to coolly, and finally, make a memorable impression. “He told the class he’s interested in anything – fiction, nonfiction, thrillers, romance. Anything except science fiction or fantasy. Then, he went around the room and asked each kid, one by one, what kind of book they’re working on, and, one by one, they told him, ‘Fantasy. Science fiction. Fantasy. . .’ Nothing but science fiction and fantasy, all twenty-four of them!”

The moment stretched seemingly as long as a Peter Jackson movie, and then . . . he laughed. Thomas Coraghessan Boyle laughed.

“You’re a natural,” T.C. said. I beamed, even though I knew the compliment was pure Hollywood: full of $#*&.

* * *

Dallas Woodburn, 22, is the author of two collections of short stories and a forthcoming novel. Her short fiction has been nominated for the Pushcart Prize and has appeared in the literary magazines Monkeybicycle, Arcadia Journal, Cicada, The Newport Review, and flashquake, among others. She has also written articles for Family Circle, Writer's Digest, Motherwords, and The Los Angeles Times. Find out more about her nonprofit literacy foundation and youth publishing company at www.writeonbooks.org and http://dallaswoodburn.blogspot.com/

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Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you!

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Young Adult Power Surge

Young adult literature is taking the world by storm right now, and I'm so excited that I get to be a part of providing information to readers about what I like to call the "young adult power surge." I was lucky enough to guest edit the current March/April issue of WOW!, which went live TODAY. And it's all about YA! This issue is full of awesome articles about censorship issues, voice, writing nonfiction for teens, using technology to reach readers, finding inspiration for this age group, and more. You don't want to miss any of the articles if you are a YA writer, a wanna-be YA writer, or a YA reader. Just click on the link to the WOW! e-zine over to the left of this post, and you'll be taken to the issue.

Some of my friends, who are over the age of 30, love YA books and are always recommending them to me. They actually read more YA books than adult books; and when you pick up books like Catching Fire by Suzanne Collins, Crank by Ellen Hopkins, or City of Bones by Cassandra Clare, it's not hard to see why. Not to mention the Twilight and Harry Potter crazes--teens aren't the only ones responsible for shooting Stephenie Meyer and J. K. Rowling to stardom--adults love them, too.

What is it about this genre? Why is it so popular? Why are adults, like me, marking down the date on their calendars for the release of the last book in the Hunger Games trilogy this summer? I wish I had the magic answer, but I don't. Sometimes, I think it's because we all wish we were teenagers again, but with the knowledge we currently have. So, when we're reading these books, we picture ourselves in this turmoil and how we would get out of it with all our new-found knowledge. Other times, I think we love YA because the writers work so hard to present honest characters in unique situations, and we just fall in love with them. Could it be because these books are just plain good?

What about you? Do you love YA literature even though you're an adult? What are some of your favorites? And by all means, if you have the magic answer of why YA is so hot right now and/or why we love it so much no matter what our age, please share with us!

Happy reading and writing!
Margo L. Dill
http://margodill.com/blog/
http://www.twitter.com/Margo_L_Dill